RFIDtag
Charlie Parr is about as underrated as they come. These tracks move me, transport me back to earlier, happier times. They can do the same for you.
Favorite track: Blues for Whitefish Lake, 1975.
Cody Summit
I have listened to this album probably the most in 2021. Maybe this or Black Sabbath's "Paranoid". Charlie is doing his own thing and I love his songwriting.
Favorite track: Everyday Opus.
Joshua Korman
Country Blues at its finest. Charlie's playing on this record is just phenomenal. It also has some of his best songwriting too.
Favorite track: Everyday Opus.
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Compact Disc (CD) + Digital Album
Compact disc in digipak packaging with liner notes [note: product image is a mock-up]. All US orders will be shipped USPS media mail.
Includes unlimited streaming of Last of the Better Days Ahead
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
ships out within 10 days
Purchasable with gift card
$16.98USDor more
Record/Vinyl + Digital Album
Double LP in gatefold jacket, standard weight black vinyl, featuring liner notes [note: product image is a mock-up]. All US orders will be shipped USPS media mail.
Includes unlimited streaming of Last of the Better Days Ahead
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Charlie Parr’s newest album, 'Last of the Better Days Ahead,' is a collection of powerful new songs about how one looks back on a life lived, as well as forward on what’s still to come. Its spare production foregrounds Parr’s poetic lyricism, his expressive, gritty voice ringing clear over deft acoustic guitar playing that references folk and blues motifs in Parr’s own exploratory, idiosyncratic style. When it comes to what it all means, Parr says it best:
“'Last of the Better Days Ahead' is a way for me to refer to the times I’m living in. I’m getting on in years, experiencing a shift in perspective that was once described by my mom as ‘a time when we turn from gazing into the future to gazing back at the past, as if we’re adrift in the current, slowly turning around.’ Some songs came from meditations on the fact that the portion of our brain devoted to memory is also the portion responsible for imagination, and what that entails for the collected experiences that we refer to as our lives. Other songs are cultivated primarily from the imagination, but also contain memories of what may be a real landscape, or at least one inspired by vivid dreaming. The album represents one full rotation of the boat in which we are adrift—looking ahead for a last look at the better days to come, then being turned around to see the leading edge of the past as it fades into the foggy dreamscape of our real and imagined histories.”
credits
released July 30, 2021
Charlie Parr, vocals, 12-string, resonator and baritone resonator guitars
Liz Draper, electric bass, upright bass (“On Listening to Robert Johnson,” “Rain,” “Decoration Day”)
Tasha Baron, keyboards (“Decoration Day”)
Chris Gray, drums (“Decoration Day”)
Produced by Charlie Parr, Liz Draper, and Erik Koskinen
Recorded and mixed by Erik Koskinen at Real Phonic Studios, Cleveland, MN, January 13, 2021
“Decoration Day” recorded and mixed by Tom Herbers at Pachyderm Studios, November 11, 2020
Mastered by Huntley Miller
Introductory essay Abraham Smith
Track annotations by Charlie Parr
Executive producers: Daniel E. Sheehy and John Smith
Production manager: Mary Monseur
Production assistant: Kate Harrington
Editorial assistance by Carla Borden
Cover art by Abe Partridge
Art direction, design, and layout by Matthew Curry at Boyvsdragon Studios
Special thanks to Mark Gehring and Periscope Management, Talulah Parr, Smithsonian Folkways, Andrea Weber, Mule Resophonic Guitars, Creston Electric, Brad Cook, Metz Amplification, Vig’s Guitars, Willie’s American Guitars, Twin Town Guitars, Music Go Round Duluth, and everyone who keeps listening. Thank you!
"Parr is scruffy and uncomfortable looking, with a longish beard and balding head. He dropped out of high school in the
1980s, but he looks older than that. He's pathologically deadpan in his delivery of in between song banter. The crowd really enjoyed his depressingly hilarious dead cat story. He never smiles." - Lucy Steigerwald
supported by 31 fans who also own “Last of the Better Days Ahead”
Sierra Ferrell's music is the nectar that drips from vocal chords of angels on ecstacy and percocet, dripping with honey, and smelling of grandma's brownies. It has been proven to "cure what ails ya", and it temporarily wards off the existential dread that is slowly encompassing us all. Don't let the absurdity of our existence get you down. Listen to Sierra Ferrell instead.
I am me and I approved this message. oldmanj716
This New Haven duo write bright and emotionally resonant folk music where sweeping strings elevate gorgeous melodies. Bandcamp New & Notable Oct 23, 2021
supported by 29 fans who also own “Last of the Better Days Ahead”
Has anyone else noticed that the last few seconds of Abandoned Love are scrambled??? Even when you play it on Bandcamp, it's messed up. Great album, but needs fixed! Justa Lint